Artwork

Untitled

Untitled, by Erich Heckel Ernst Ludwig Kirchner, ink, 1910
Untitled, by Erich Heckel Ernst Ludwig Kirchner, ink, 1910

Untitled is an ink print by Erich Heckel Ernst Ludwig Kirchner. It dates from 1910 and is held in the collection of the Museum of Modern Art.

About this work

This print shows two blocky figures on all fours, facing each other. One has a dark hat, the other doesn’t. The background is a flat yellow, with sharp black lines forming jagged shapes around the text.

The text says “Brücke 1910” and “Kirchner,” which points to a group of artists. The style looks rough and angular, almost like carved wood.

Check out woodcut to see how this print was made.

Overview

The portfolio is part of the collection of the Museum of Modern Art, where it is displayed as an example of the artists’ collaborative print activities.

Created in 1910, this untitled work comprises a small portfolio that includes two woodcut prints, a drypoint, and a woodcut cover. The pieces are attributed to Ernst Ludwig Kirchner and Erich Heckel, key figures of the early 20th‑century German avant‑garde. The portfolio is part of the collection of the Museum of Modern Art, where it is displayed as an example of the artists’ collaborative print activities.

Subject & Meaning

The central image presents two stylised, block‑like figures positioned on all fours and facing one another. One figure is topped with a dark hat, while the other is hatless, suggesting a contrast or dialogue between the two forms. The stark yellow background and jagged black lines frame the scene, emphasizing the geometric tension and the artists’ interest in primitive, almost sculptural representation.

Technique & Style

Executed primarily as woodcuts, the prints reveal the characteristic rough, angular quality of carved wood, with bold black outlines and flat areas of colour. The accompanying drypoint adds finer, incised lines that complement the more graphic woodcut surfaces. The overall aesthetic reflects the early Expressionist impulse toward direct, hand‑driven mark‑making and a rejection of smooth, academic finish.

History & Provenance

The portfolio emerged from the collaborative environment of the Die Brücke group, as indicated by the inscription “Brücke 1910” and the artists’ signatures. After its creation, the work entered the collection of the Museum of Modern Art, where it remains catalogued as an untitled example of the group’s print experiments during the pre‑World War I period.

Artist & collection

This work is in the public domain (CC0). Image source: Museum of Modern Art open access. Spotted an error in this record? Tell us.