Artwork

Bildnis der Maria Anna, Gemahlin des Kurfürsten Max III. Joseph (Werkstatt)

Bildnis der Maria Anna, Gemahlin des Kurfürsten Max III. Joseph (Werkstatt) is an unspecified painting by the Rococo painting artist Georg Desmarées. It dates from 1736 and is held in the collection of the Bavarian State Painting Collections. The portrait, executed in 1736, depicts Maria Anna, the wife of Elector Max III Joseph.

About this work

Overview

The portrait, executed in 1736, depicts Maria Anna, the wife of Elector Max III Joseph. Rendered in oil on canvas, the work measures a modest size and is part of the collection of the Alte Pinakothek in Munich. The composition centers on the sitter’s face, set against a subdued, dark backdrop that emphasizes her dignified bearing.

Subject & Meaning

Maria Anna is presented in formal attire, wearing a fur‑trimmed coat, a lace headband, and earrings that signal her aristocratic status. Her expression is restrained, with a direct gaze that conveys both poise and the conventions of court portraiture, intended to affirm her role as consort within the Bavarian electorate.

Technique & Style

The artist employs a limited palette dominated by deep browns and muted tones, allowing the glossy texture of the fur to catch light and create a subtle contrast with the matte background. Fine brushwork renders the lace and jewelry with delicate precision, while the soft modeling of the face demonstrates a restrained Baroque sensibility.

History & Provenance

Attributed to the workshop of Georg Desmarées, the portrait entered the Alte Pinakothek’s holdings in the 19th century as part of the museum’s effort to assemble a comprehensive representation of Bavarian court portraiture. Its provenance traces back to the royal collection, where it remained in situ until transferred to the public institution.