Who painted A View of the Pont Neuf, the Mint, etc.: pl.8?

A View of the Pont Neuf, the Mint, etc.: pl.8 was painted by Thomas Girtin in 1802.

Where can I see A View of the Pont Neuf, the Mint, etc.: pl.8?

A View of the Pont Neuf, the Mint, etc.: pl.8 is held by National Gallery of Art.

What movement is A View of the Pont Neuf, the Mint, etc.: pl.8?

A View of the Pont Neuf, the Mint, etc.: pl.8 is associated with Romanticism.

Artwork

A View of the Pont Neuf, the Mint, etc.: pl.8

Thomas Girtin , 1802

A View of the Pont Neuf, the Mint, etc.: pl.8 is an ink print by the Romanticist artist Thomas Girtin. It dates from 1802 and is held in the collection of the National Gallery of Art.

About this work

Overview

Thomas Girtin’s 1802 print, titled *A View of the Pont Neuf, the Mint, etc.: pl.8*, presents a broad river scene dominated by the stone Pont Neuf. The composition captures the bridge’s arches, a procession of pedestrians and horses, and a modest wagon along the left bank, while a row of varied buildings recedes on the opposite shore under a pale sky.

Subject & Meaning

The work records a tranquil moment in Paris, emphasizing the everyday activity along the Seine. Riders and walkers share the dusty path, suggesting a bustling yet orderly urban life, while the quiet river and distant architecture convey a sense of permanence and the city’s layered history.

Technique & Style

Executed as a retouched etching, the image relies on fine, delicate lines and a restrained tonal palette. Girtin’s handling of light and shadow creates a soft atmospheric effect, allowing the structural details of the bridge and buildings to emerge without harsh contrast, reminiscent of a sketch rather than a fully finished drawing.

History & Provenance

Created in the early nineteenth century, the print forms part of Girtin’s series of urban views that documented notable French landmarks. Though specific ownership records are sparse, the piece has been catalogued among his printed works and remains a reference point for studies of early British etching techniques applied to continental subjects.