Artwork

Christgartner Altar: Grabtragung Mariens Rückseite: Fall Christi auf das Kreuz

Christgartner Altar: Grabtragung Mariens Rückseite: Fall Christi auf das Kreuz, by Hans Leonhard Schäufelein, unspecified, 1515
Christgartner Altar: Grabtragung Mariens Rückseite: Fall Christi auf das Kreuz, by Hans Leonhard Schäufelein, unspecified, 1515

Christgartner Altar: Grabtragung Mariens Rückseite: Fall Christi auf das Kreuz is an unspecified painting by the Northern Renaissance artist Hans Leonhard Schäufelein. It dates from 1515 and is held in the collection of the Bavarian State Painting Collections.

About this work

Overview

Hans Leonhard Schäufelein’s 1515 religious work, known as the Christgartner Altar: Grabtragung Mariens Rückseite: Fall Christi auf das Kreuz, is part of the Alte Pinakothek’s collection. The composition presents a solemn interior scene, illuminated by a stark contrast of light and shadow that highlights the figures and their gestures.

Subject & Meaning

The painting depicts a group of men gathered in a dimly lit chamber, centered on a figure in a blue robe who holds a staff and gestures outward. The surrounding participants, dressed in muted reds and grays, appear either attentive or withdrawn, suggesting a narrative of contemplation or instruction within a devotional context.

Technique & Style

Schäufelein employs a pronounced chiaroscuro effect, with bright illumination striking the faces and hands while deeper shadows recede into darkness. This manipulation of light creates a dramatic spatial depth and emphasizes the emotional tenor of the scene, a hallmark of early 16th‑century German painting.

History & Provenance

Created in 1515, the work has remained in German collections, eventually entering the Alte Pinakothek in Munich. Its provenance reflects the museum’s focus on early Renaissance art and the preservation of regional religious panels.

Context

The altar piece belongs to a series of devotional images intended for ecclesiastical settings, illustrating episodes from Christ’s Passion. Its visual language aligns with contemporary Germanic approaches to narrative painting, where intimate interior settings convey theological themes.

Artist & collection