Artwork
Portrait of Joséphine de Beauharnais (1763-1814)

Portrait of Joséphine de Beauharnais (1763-1814) is an oil painting by Henri-François Riesener. It dates from 1806 and is held in the collection of the Château de Malmaison.
About this work
Overview
Created in 1806 by French artist Henri-François Riesener, *Portrait of Joséphine de Beauharnais* is an oil painting depicting the wife of Napoleon Bonaparte. Characterized by meticulous detail and formal attire, the portrait is housed at Château de Malmaison.
Subject & Meaning
The subject, Joséphine de Beauharnais, is portrayed in a state of solemnity, clad in regal white and red attire with ornate jewelry, symbolizing her imperial status as Napoleon's spouse. Her direct gaze and clasped hands convey a sense of composed dignity.
Technique & Style
Riesener employed oil paint to achieve a high level of detail, evident in the intricate patterns of Joséphine's dress, jewelry, and the textured backdrop of a red curtain against a dark background, reflecting a blend of neoclassical formality and emerging romantic attention to texture.
History & Provenance
Painted during Napoleon's reign, the portrait is the work of Henri-François Riesener, son of a renowned cabinet-maker and father of the Romantic painter Léon Riesener. It has remained part of the Château de Malmaison collection.
Context
Commissioned in 1806, the portrait captures Joséphine at the height of Napoleon's power, reflecting the imperial family's desire for dignified, formally rendered representations. The choice of Riesener, not yet at the peak of his career, may indicate the artist's rising prominence within court circles.
Legacy
While not as widely recognized as works by leading artists of the Napoleonic era, Riesener's *Portrait of Joséphine* provides a nuanced glimpse into the artistic preferences of the imperial family and the transitional stylistic currents of the time.
Artist & collection
Artist
Henri-François Riesener (19 October 1767 – 7 February 1828) was a French portrait painter and miniaturist.















