Artwork
At the Universal Exhibition: Who are the real Chinese?
At the Universal Exhibition: Who are the real Chinese? is a print by the Impressionist artist Honoré Daumier. It dates from 1867 and is held in the collection of the Cleveland Museum of Art.
About this work
Overview
At the Universal Exhibition: Who are the real Chinese? is a print by Honoré Daumier, created in 1867. It is part of the collection at The Cleveland Museum of Art.
Subject & Meaning
The print depicts a group of figures in a lively outdoor scene, possibly satirizing European perceptions of foreigners at an international exhibition. The title suggests a commentary on cultural representation and authenticity.
Technique & Style
Daumier employed loose, sketchy lines to convey movement and emotion, prioritizing expressive effect over precise detail. This approach is characteristic of his style, which emphasizes capturing the essence of a scene rather than rendering it realistically.
Context
The work relates to the Universal Exhibition, a type of international fair that was a significant cultural event in the 19th century. Daumier's print may be seen as a commentary on the cultural exchange and representation that occurred at such events.
Artist & collection
Artist
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.
Réflection intime d'un épicier
Un Boulanger
Great Tumbler!
Festival
Trust me! Take my arm...
Philosophe
The Painter Who Had a Painting Refused.
Untitled (Figures in a Strong Wind)
Au Maroc
At the Universal Exhibition: Security check at the entrance: the bald need to lift their hats, and the short-sighted need to remove their glasses.
Țărancă
Papier à Lettres