Who painted Tantric Manuscript "Sangrahani Sutra"?

Tantric Manuscript "Sangrahani Sutra" was painted by Unknown.

Where can I see Tantric Manuscript "Sangrahani Sutra"?

Tantric Manuscript "Sangrahani Sutra" is held by Detroit Institute of Arts.

Artwork

Tantric Manuscript "Sangrahani Sutra"

Tantric Manuscript "Sangrahani Sutra" is an unspecified painting by Unknown. It is held in the collection of the Detroit Institute of Arts. The "Sangrahani Sutra" is a tantric manuscript painting, combining textual elements with intricate visual representations.

About this work

Overview

The "Sangrahani Sutra" is a tantric manuscript painting, combining textual elements with intricate visual representations. Executed on a single sheet, likely of handcrafted paper or vellum, this work embodies the synthesis of spiritual doctrine and artistic expression characteristic of tantric art.

Subject & Meaning

The manuscript illustrates key concepts from the Sangrahani Sutra, a Buddhist text focusing on the collection of teachings and the path to enlightenment. Figures of deities, mandalas, and symbolic motifs convey the intricate balance between the macrocosm and the microcosm, guiding the viewer through tantric principles of unity and transcendence.

Technique & Style

Characterized by precise lines, vibrant colors, and detailed iconography, the painting reflects the meticulous craftsmanship of tantric manuscript art. The use of gold leaf for highlights and the arrangement of textual passages around the central imagery suggest a blend of ritualistic functionality and aesthetic appeal.

History & Provenance

While specific dates and origins are not provided, stylistic elements point to a South Asian (likely Indian or Nepalese) origin, possibly from the 18th to early 19th century, a period of flourishing tantric art production. Provenance details are unavailable, indicating the need for further research into its historical ownership and exhibition history.

Context

Created within a tantric Buddhist context, this manuscript would have served both as a revered religious text and a visual aid for meditation and ritual practices. Its production and use were likely tied to monastic or noble patronage, reflecting the intersection of religious and secular power in the region.