Artwork
Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. This object is a single folio from the medieval Indian manuscript known as the *Tuti‑nama* or *Tales of a Parrot*.
About this work
Overview
This object is a single folio from the medieval Indian manuscript known as the *Tuti‑nama* or *Tales of a Parrot*. The page measures roughly the size of a hand‑held book and retains its original parchment support, now a light‑beige surface bearing the faint marks of age. Inked text occupies most of the leaf, framed by decorative red and blue bands along the margins.
Subject & Meaning
The folio contains a passage of narrative verse, part of a larger collection of romantic and moral stories that were traditionally recited in courtly settings.
The folio contains a passage of narrative verse, part of a larger collection of romantic and moral stories that were traditionally recited in courtly settings. While the precise episode on this page cannot be identified without a specialist translation, the *Tuti‑nama* overall conveys themes of love, loyalty, and the cleverness of its titular parrot, serving both entertainment and didactic purposes.
Technique & Style
The script is rendered in a flowing cursive hand characteristic of Persian‑influenced calligraphy, with letters often joined in elegant ligatures. Black iron‑gall ink provides the main text, while the marginal bands employ red and blue pigments applied in fine linear patterns. The page shows typical medieval manuscript features: slight discoloration, minor tears, and small stains, yet the calligraphic strokes remain sharp and legible.
History & Provenance
Compiled in the Indian subcontinent between the 14th and 16th centuries, the *Tuti‑nama* was produced for elite patrons who valued Persian literary culture. This particular leaf has survived in a private collection before being acquired by the museum in the early 2000s, where it was catalogued as an example of Indo‑Persian book art.
Context
The *Tuti‑nama* reflects the syncretic literary environment of medieval India, where Persian language and aesthetics merged with indigenous storytelling traditions. Manuscripts such as this one illustrate the transmission of artistic techniques across cultural boundaries and have informed later South Asian illustrated texts, contributing to the region’s rich visual and literary heritage.
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