Artwork
The Crucifixion with the Virgin and Child among Saints, Angels and the Symbols of the Evangelists

The Crucifixion with the Virgin and Child among Saints, Angels and the Symbols of the Evangelists is a tempera painting by the Byzantine icon painting artist Unknown. It dates from 1299 and is held in the collection of the São Paulo Museum of Art. The work presents a complex crucifixion scene in which Christ hangs upon the cross at the uppermost level.
About this work
Overview
The work presents a complex crucifixion scene in which Christ hangs upon the cross at the uppermost level. Beneath him the Virgin Mary and the infant Jesus are shown together, encircled by a host of saints, angels and the traditional symbols associated with the four Evangelists. The composition is rendered in tempera, employing vivid robes and gold detailing to emphasize the sacred narrative.
Subject & Meaning
The central focus on the crucified Christ underscores the theological significance of redemption, while the presence of the Virgin and Child conveys a dual emphasis on suffering and hope. The surrounding saints and angelic figures serve as intercessors, and the Evangelists’ symbols—often a man, lion, ox, and eagle—reinforce the scriptural foundation of the scene.
Technique & Style
Executed in egg‑tempera, the painting achieves a luminous surface through the binding of pigments with egg yolk. This medium allows for fine, layered brushwork that creates a subtle depth of color and a radiant sheen, especially evident in the gold accents that highlight garments and halos.
History & Provenance
The piece is part of the collection of the São Paulo Museum of Art, where it has been displayed as an example of tempera practice within the museum’s European holdings. Its acquisition history and earlier owners are not detailed in the available records.
Context
Tempera was a dominant medium before the widespread adoption of oil paint in the 15th century, valued for its quick drying time and bright, enduring colors. Works of this type often served devotional purposes, placed in chapels or private altars, and reflected the iconographic conventions of late medieval and early Renaissance religious art.
Artist & collection



















