Who painted Predators and dead Deer?

Predators and dead Deer was painted by Johann Elias Ridinger in 1760.

Where can I see Predators and dead Deer?

Predators and dead Deer is held by Gemäldegalerie Berlin.

What movement is Predators and dead Deer?

Predators and dead Deer is associated with Rococo painting.

Can I buy a print of Predators and dead Deer?

Museum-quality prints of Predators and dead Deer are available made-to-order from Artifact World Gallery.

Artwork

Predators and dead Deer

Johann Elias Ridinger , 1760

Predators and dead Deer is an oil painting by the Rococo painting artist Johann Elias Ridinger. It dates from 1760 and is held in the collection of the Gemäldegalerie Berlin.

About this work

Overview

Created in 1760, *Predators and Dead Deer* is an oil painting by the German artist Johann Elias Riding Ridinger. Executed in the Rococo style, the work is part of the Gemäldegalerie Berlin’s collection, where it is displayed alongside other examples of dramatic chiaroscuro.

Subject & Meaning

The canvas captures a violent encounter in which three tigers converge on a fallen deer. The animal lies on its back, limbs splayed, while the predators attack from multiple angles, emphasizing the raw power of nature and the fleeting moment of life and death.

Technique & Style

Ridinger employs strong contrasts of light and dark to heighten the scene’s tension. The bright orange‑black coats of the tigers are illuminated against a shadowy backdrop of foliage and rock, freezing the animals in a dynamic, mid‑action pose that showcases his skill in rendering texture and movement.

History & Provenance

Ridinger, renowned for his animal studies and hunting illustrations, produced the painting during a prolific period of his career. The work entered the Gemäldegalerie Berlin’s holdings in the 20th century, joining a broader collection of Rococo paintings noted for their dramatic lighting.

Context

Beyond canvas, Ridinger’s designs were frequently adapted for decorative arts, notably Meissen porcelain, reflecting the period’s interest in translating naturalist imagery across media. This painting exemplifies his fascination with the interplay of wildlife and the theatricality favored by Rococo patrons.