Artwork

The enemy approaches

The enemy approaches, by Josef Lies, oil, 1857
The enemy approaches, by Josef Lies, oil, 1857

The enemy approaches is an oil painting by the Realist artist Josef Lies. It dates from 1857 and is held in the collection of the Royal Museum of Fine Arts Antwerp.

About this work

Overview

Created in 1857, *The enemy approaches* is an oil painting by Belgian artist Joseph Lies. Executed in a realist manner, the work portrays a moment of collective alarm in a rural settlement, with a church tower rising behind the assembled figures. The canvas is part of the Royal Museum of Fine Arts Antwerp’s permanent collection.

Subject & Meaning

The scene shows villagers in traditional dress gathered near a church, some clutching tools or makeshift weapons. A man in the foreground gestures toward an unseen danger, while the others stare anxiously, suggesting the arrival of an imminent threat. The composition conveys communal vigilance and the tension between daily life and sudden crisis.

Technique & Style

Lies employs a muted palette of earth tones, emphasizing the somber mood. The brushwork is restrained, rendering textures of clothing and architecture with modest detail. Light falls softly across the figures, highlighting their expressions without dramatic chiaroscuro, aligning the piece with mid‑nineteenth‑century realist tendencies rather than overt romantic dramatization.

History & Provenance

Joseph Lies, active in Antwerp, achieved recognition throughout Europe for his varied output, ranging from history paintings to portraits. *The enemy approaches* entered the Royal Museum of Fine Arts Antwerp’s holdings after the artist’s lifetime, where it remains on display as a representative example of his realist phase.

Artist & collection

Portrait of Josef Lies

Artist

Josef Lies

Joseph Lies or Joseph Henri Hubert Lies (Antwerp, 14 June 1821 – Antwerp, 3 January 1865) was a Belgian Romantic painter, draughtsman and engraver.