Artwork

Untitled

Untitled, by Katsukawa Shunchō, ink, 1785
Untitled, by Katsukawa Shunchō, ink, 1785

Untitled is an ink print by the Romanticist artist Katsukawa Shunchō. It dates from 1785 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

This woodblock print, created around 1785 by the Edo‑period artist Katsukawa Shunchō, depicts a quiet genre scene of three women on a wooden bridge. Rendered in ink and color on paper, the composition is held in the collection of the Metropolitan Museum of Art. The work exemplifies the artist’s focus on everyday life and his skill in handling line and flat color.

Subject & Meaning

One holds a folding fan, another leans against the bridge railing, while the third gazes forward, suggesting a moment of casual conversation or travel.

The image presents three women dressed in long, patterned robes of vivid green, red, and black. One holds a folding fan, another leans against the bridge railing, while the third gazes forward, suggesting a moment of casual conversation or travel. The sparse background—a plain wall and the bridge itself—keeps attention on the figures, highlighting social interaction and fashion of the late eighteenth‑century urban milieu.

Technique & Style

Shunchō employs clean, decisive lines characteristic of the Katsukawa school, while the flat areas of color emphasize the decorative patterns of the garments. Subtle cross‑hatching around the fan and the stitching of the robes introduces a modest sense of depth without compromising the overall two‑dimensional aesthetic. The balance of bold outlines and restrained shading reflects the print’s function as both a visual record and a decorative object.

History & Provenance

The print was produced in the late 1780s, a period when woodblock publishing flourished in Edo. It entered the Metropolitan Museum of Art’s collection through a 20th‑century acquisition of Japanese prints, though the exact path of ownership prior to that remains undocumented. Its presence in the museum underscores the continued scholarly interest in genre prints as cultural documents of the Tokugawa era.

Artist & collection

Artist

Katsukawa Shunchō

Katsukawa Shunchō lived in Edo (now Tokyo) during the late 1700s, a time when floating-world prints—colorful scenes of theater, courtesans, and everyday life—were all the rage.