Artwork

Bas-relief portion of frieze with the 'Libation of Asiatic Sphinx' in terra cotta

Bas-relief portion of frieze with the 'Libation of Asiatic Sphinx' in terra cotta, by Louise Laffon, photographic, 1864
Bas-relief portion of frieze with the 'Libation of Asiatic Sphinx' in terra cotta, by Louise Laffon, photographic, 1864

Bas-relief portion of frieze with the 'Libation of Asiatic Sphinx' in terra cotta is a photographic photography by the Impressionist artist Louise Laffon. It dates from 1864 and is held in the collection of the Victoria and Albert Museum.

About this work

The title of this work is 'Bas-relief portion of frieze with the 'Libation of Asiatic Sphinx' in terra cotta'.

This photograph was taken by Louise Laffon in 1863-1864. It's part of the collection at the Victoria and Albert Museum, which has a long history of collecting photographs.

To learn more about the style of this photograph, look into the movement of Realism.

Overview

This 1863-1864 photograph by Louise Laffon captures a bas-relief portion of a frieze depicting the 'Libation of Asiatic Sphinx' in terra cotta. The image is part of the Victoria and Albert Museum's collection, reflecting the institution's early adoption of photography for educational and administrative purposes.

Subject & Meaning

The photographed bas-relief shows a scene of 'Libation of Asiatic Sphinx', conveying a mythological or symbolic act through terra cotta art. The subject's specifics, such as the sphinx's 'Asiatic' designation, may imply cultural or artistic exchange themes, though the photograph's primary purpose was documentation rather than interpretive emphasis.

Technique & Style

Laffon's photograph exemplifies mid-19th-century Realism in photography, characterized by straightforward, detailed documentation of the subject. The image's clarity and focus on the terra cotta's texture and form highlight the photographic style's emphasis on accuracy and realism.

History & Provenance

Acquired by the V&A in 1864 as part of a 500-work purchase from Laffon, this photograph was originally part of her series documenting the Campana Collection in Paris. Laffon's work was sourced through agent Monsieur E. Cappe, illustrating the museum's early, global approach to collecting photographs.

Context

Created during the V&A's formative years, when photography was newly integrated into museum collections (starting in 1852), this work reflects the institution's pioneering use of photography for educational and reference purposes, facilitated by visionaries like founding Director Henry Cole.

Artist & collection

Artist

Louise Laffon

Louise Laffon (1828–1885), was a French photographer and painter. She was one of the first female professional photographers in France. She had a studio in Paris between 1859 and 1876.