Artwork
Marble bust of the Emperor Marcus Aurelius

Marble bust of the Emperor Marcus Aurelius is a photographic photography by the Impressionist artist Louise Laffon. It dates from 1864 and is held in the collection of the Victoria and Albert Museum.
About this work
Louise Laffon, a French photographer, made it in the early days when museums were just starting to see photography as real art.
This photograph shows a marble bust of Emperor Marcus Aurelius from 1863-64. It’s a quiet but bold image — one of the first photos the Victoria and Albert Museum ever collected.
Louise Laffon, a French photographer, made it in the early days when museums were just starting to see photography as real art. The V&A grabbed onto it fast, way back in 1858.
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Overview
This 1863-64 photograph depicts a marble bust of Emperor Marcus Aurelius, captured by French photographer Louise Laffon. It is one of the earliest photographs collected by the Victoria and Albert Museum, reflecting the institution's pioneering embrace of photography.
Subject & Meaning
The subject is a marble bust of Marcus Aurelius, a Roman Emperor known for his philosophical writings. The photograph's primary purpose was educational and documentary, aiming to make artworks accessible for study.
Technique & Style
The image is characterized by its simplicity and directness, typical of early photographic reproductions of artworks. Laffon's technique emphasizes clarity, ensuring the bust's details are well-preserved for scholarly use.
History & Provenance
Acquired by the V&A in 1864 through agent Monsieur E. Cappe, this photograph was part of a larger series Laffon produced of the Campana Collection in Paris. It was initially part of the National Art Library's collection within the museum.
Context
Created during the nascent period of museum photography, this work highlights the V&A's visionary approach under Director Henry Cole, who recognized photography's potential for extending educational resources.
Artist & collection
Artist
Louise Laffon (1828–1885), was a French photographer and painter. She was one of the first female professional photographers in France. She had a studio in Paris between 1859 and 1876.


















