Artwork
Marble bust of the Emperor Maximian

Marble bust of the Emperor Maximian is a photographic photography by the Impressionist artist Louise Laffon. It dates from 1864 and is held in the collection of the Victoria and Albert Museum.
About this work
This is a photograph from 1863-64. It shows a marble bust of Emperor Maximian. The photo sits in two movements: Impressionism and Realism. The Victoria and Albert Museum holds it.
That’s because the V&A started collecting photos in 1852. It was the first museum to do both. Henry Cole saw photography as a way to help artists and students learn.
Look up the Victoria and Albert Museum next.
Overview
This 1863-64 photograph, held by the Victoria and Albert Museum, captures a marble bust of Emperor Maximian, straddling Impressionism and Realism movements.
Subject & Meaning
The photograph's subject is a marble bust of Emperor Maximian, though the image itself does not convey explicit meaning beyond documentary representation of the sculpture.
Technique & Style
The photograph blends Impressionist and Realist elements, characteristic of mid-19th-century photographic practices that prioritized realism while inadvertently capturing impressionist qualities due to technical limitations.
History & Provenance
Acquired by the V&A in 1864 as part of a 500-work purchase from Louise Laffon, a pioneering female photographer, through agent Monsieur E. Cappe. Laffon photographed objects from the Campana Collection in Paris.
Context
Reflects the V&A's pioneering role in collecting and exhibiting photography (since 1852) under Director Henry Cole, who valued photography for educational and artistic resource purposes.
Artist & collection
Artist
Louise Laffon (1828–1885), was a French photographer and painter. She was one of the first female professional photographers in France. She had a studio in Paris between 1859 and 1876.


















