Who painted Self-Portrait?

Self-Portrait was painted by Lambert Lombard in 1540.

Where can I see Self-Portrait?

Self-Portrait is held by Hermitage Museum.

What movement is Self-Portrait?

Self-Portrait is associated with Mannerism.

Artwork

Self-Portrait

Lambert Lombard , 1540

Self-Portrait is an oil painting by the Mannerist artist Lambert Lombard. It dates from 1540 and is held in the collection of the Hermitage Museum.

About this work

Overview

Self-Portrait, painted in 1540 with oil, is a Mannerist-style work by Lambert Lombard, a multifaceted artist of the Renaissance. It is currently part of the State Hermitage Museum's collection.

Subject & Meaning

The portrait depicts Lombard himself, distinguished by curly brown hair, a beard, and elegant attire including a dark jacket and white collar. He holds an unidentified small object in his right hand, possibly alluding to his artistic or architectural profession.

Technique & Style

Characterized by Mannerist elements, the painting features a warm yellow background that contrasts with the subject's dark attire, suggesting the use of chiaroscuro to create depth and emphasize the figure.

History & Provenance

Lombard, having trained under Jan Gossaert and later influencing Frans Floris, created this self-portrait during his tenure with the Prince-Bishopric of Liège. Its current location is the State Hermitage Museum.

Context

This work reflects Lombard's position within the Renaissance, bridging his roles as painter, architect, and theorist, while the Mannerist style places it within the broader artistic movements of 16th-century Europe.

Legacy

As a self-portrait by a figure who both created art and trained notable artists (like Frans Floris), it provides insight into the artistic circle of the time, though its broader impact on the development of Mannerism or subsequent art movements is not distinctly highlighted by the work itself.

Artist & collection

Artist

Lambert Lombard

Lambert Lombard (French pronunciation: ; c. 1505 – August 1566) was a Renaissance painter, architect and theorist for the Prince-Bishopric of Liège. During his career he worked for Jan Gossaert in Middelburg and trained Frans Floris.