Capo Sant'Angelo, Amalfi

The artist employed a quick, confident line quality, beginning with a graphite sketch that establishes the basic forms before applying brown ink for definition. The pen work varies between fine hatching for texture and broader strokes to convey the mass of the cliffs, while the limited palette focuses attention on line and contrast rather than color.

The drawing was produced by an English illustrator and poet who traveled extensively in Italy during the late nineteenth century. It entered the collection of the National Gallery of Art in Washington, where it is catalogued among other landscape studies made by the artist during his Italian voyages.

During the 1880s the artist frequently recorded Mediterranean coastlines, integrating his natural‑history illustration background with a personal interest in light and topography. This work fits within a broader series of sketches that document the dramatic geology and seascapes of southern Italy, reflecting contemporary fascination with travel and the picturesque.