Who painted Saint Mary Magdalen in the Wilderness?

Saint Mary Magdalen in the Wilderness was painted by Marcellus Coffermans in 1562.

Where can I see Saint Mary Magdalen in the Wilderness?

Saint Mary Magdalen in the Wilderness is held by National Gallery of Ireland.

What movement is Saint Mary Magdalen in the Wilderness?

Saint Mary Magdalen in the Wilderness is associated with Northern Renaissance.

Can I buy a print of Saint Mary Magdalen in the Wilderness?

Museum-quality prints of Saint Mary Magdalen in the Wilderness are available made-to-order from Artifact World Gallery.

Artwork

Saint Mary Magdalen in the Wilderness

Marcellus Coffermans , 1562

Saint Mary Magdalen in the Wilderness is an unspecified painting by the Northern Renaissance artist Marcellus Coffermans. It dates from 1562 and is held in the collection of the National Gallery of Ireland.

About this work

Overview

Saint Mary Magdalen in the Wilderness is a 16th-century religious painting attributed to Marcellus Coffermans, dated circa 1562, and part of the collection at the National Gallery of Ireland.

Subject & Meaning

The painting portrays a contemplative figure, identified as Saint Mary Magdalen, seated in solitude within a serene, rocky landscape, conveying an atmosphere of introspection and spiritual quietude.

Technique & Style

The work employs chiaroscuro, evident in the contrast between the softly illuminated figure and the subdued, naturalistic background of trees, hills, and a cloudy sky, enhancing the sense of contemplation.

History & Provenance

Created around 1562 by Marcellus Coffermans, the painting's history prior to its acquisition by the National Gallery of Ireland is not detailed here, highlighting a gap in documented provenance.

Context

The depiction of Saint Mary Magdalen in a wilderness setting aligns with Renaissance-era religious themes, often symbolizing repentance and spiritual retreat, though specific contextual influences on Coffermans' work are not elaborated.

Legacy

While the painting showcases Coffermans' use of chiaroscuro, its broader impact or influence on subsequent artistic movements is not highlighted in available information, suggesting a more nuanced or localized artistic legacy.