Who painted Assumption of the Virgin?

Assumption of the Virgin was painted by Marcellus Coffermans in 1550.

Where can I see Assumption of the Virgin?

Assumption of the Virgin is held by Art Institute of Chicago.

What movement is Assumption of the Virgin?

Assumption of the Virgin is associated with Northern Renaissance.

Can I buy a print of Assumption of the Virgin?

Museum-quality prints of Assumption of the Virgin are available made-to-order from Artifact World Gallery.

Artwork

Assumption of the Virgin

Marcellus Coffermans , 1550

Assumption of the Virgin is an oil painting by the Northern Renaissance artist Marcellus Coffermans. It dates from 1550 and is held in the collection of the Art Institute of Chicago.

About this work

The artist used simple colors and compositions, which was common for that time, and the scene is quite detailed, with many figures and elements.

The painting shows the Virgin Mary rising to heaven.
It's an oil on panel work from the 16th century.
The artist used simple colors and compositions, which was common for that time, and the scene is quite detailed, with many figures and elements.

The painting has a lot of movement and energy, with angels and people looking up at the Virgin.
The scene is set in a bright and airy space, which adds to the sense of uplift.

You can learn more about this style by looking into the technique of glazing.

Overview

Assumption of the Virgin is a 16th-century religious oil painting on panel by Marcellus Coffermans, dating to 1550, now in the collection of the Art Institute of Chicago.

Subject & Meaning

The painting depicts the Assumption of the Virgin Mary into heaven, conveying a sense of spiritual uplift through its vibrant and dynamic portrayal of the scene.

Technique & Style

Characterized by simple yet effective coloration and detailed composition, typical of its era, the work features a multitude of figures and elements, with the artist likely employing glazing techniques to achieve depth and luminosity.

History & Provenance

Created in 1550 by Marcellus Coffermans, the painting's ownership history prior to its acquisition by the Art Institute of Chicago is not detailed here.

Context

The piece reflects the religious and artistic sensibilities of the 16th century, with its bright, airy setting and energetic depiction of angels and onlookers gazing upwards, embodying the period's devotional practices and aesthetic preferences.

Legacy

While specific influences or subsequent artistic impacts are not highlighted, the painting remains a notable example of 16th-century religious art, accessible to the public at the Art Institute of Chicago.