Artwork

The Annunciation

The Annunciation, by Martino di Bartolomeo, unspecified, 1403
The Annunciation, by Martino di Bartolomeo, unspecified, 1403

The Annunciation is an unspecified painting by Martino di Bartolomeo. It dates from 1403 and is held in the collection of the Fitzwilliam Museum.

About this work

Overview

Created in 1403, The Annunciation is a two‑panel religious work by the early 15th‑century painter Martino di Bartolomeo. The diptych is part of the collection of the Fitzwilliam Museum, where it is displayed as an example of early Italian devotional art.

Subject & Meaning

The left panel presents the angel Gabriel kneeling before the Virgin Mary, his wings rendered in vivid red and blue and a halo indicating his sacred role. He holds a small leafy branch, a traditional symbol of fertility. In the right panel, Mary sits on a wooden bench, her hands clasped over her chest, signifying humility and acceptance of the divine message.

Technique & Style

Both panels share a warm golden background that unifies the composition. The figures are outlined with clear, simple lines, and the drapery—yellow and pink on the angel, blue and yellow on Mary—demonstrates a restrained yet elegant handling of color typical of early Trecento painting.

History & Provenance

After its creation, the diptych entered private collections before being acquired by the Fitzwilliam Museum in the 20th century. Its provenance traces a typical path for devotional panels, moving from ecclesiastical or domestic settings to a public institution where it can be studied.

Context

Martino di Bartolomeo worked in a period when Italian art was transitioning from Byzantine influences toward greater naturalism. The Annunciation reflects this shift, combining iconic symbolism—halos, stylized wings—with a more intimate portrayal of the figures.

Artist & collection

This work is in the public domain (CC0). Image source: Fitzwilliam Museum open access. Spotted an error in this record? Tell us.