Artwork

Coronation of the Virgin with donors

Coronation of the Virgin with donors, by Master of the Lyversberger Passion, oil, 1464
Coronation of the Virgin with donors, by Master of the Lyversberger Passion, oil, 1464

Coronation of the Virgin with donors is an oil painting by the Northern Renaissance artist Master of the Lyversberger Passion. It dates from 1464 and is held in the collection of the Bavarian State Painting Collections.

About this work

Overview

The work titled *Coronation of the Virgin with Donors* is an oil painting executed in 1464 by the anonymous Master of the Lyversberger Passion. It is part of the collection of the Alte Pinakothek in Munich. The composition is densely populated, centering on the Virgin receiving a golden crown while surrounded by a host of angels, musicians, and two kneeling patrons.

Subject & Meaning

The kneeling figures at the lower edge are probably the patrons who commissioned the piece, positioned to receive the Virgin’s blessing.

The central scene depicts the Virgin Mary being crowned as Queen of Heaven, a motif common in late medieval devotion. A robed figure, likely representing Christ or a heavenly authority, places the crown upon her head, while a donor in red holds an open book, suggesting a prayerful request for intercession. The kneeling figures at the lower edge are probably the patrons who commissioned the piece, positioned to receive the Virgin’s blessing.

Technique & Style

The painter employed a luminous gold ground that unifies the crowded tableau and enhances the sense of divine radiance. Thin, translucent layers of pigment—known as glazing—are built up to model forms and create subtle shifts of light and shadow, giving the figures a soft, almost ethereal glow. The crowded arrangement and elongated figures reflect the International Gothic aesthetic prevalent in mid‑15th‑century Northern Europe.

History & Provenance

Created in 1464, the painting remained in private or ecclesiastical hands before entering the collection of the Alte Pinakothek, where it is displayed today. Its attribution to the Master of the Lyversberger Passion rests on stylistic analysis linking it to other works bearing similar compositional and technical traits, although the artist’s true identity remains unknown.

Artist & collection

Artist

Master of the Lyversberger Passion

This artist painted religious scenes on wood panels in the mid-1400s, using oil paint to layer rich colors and fine details.