Artwork

Einschiffung der Gebeine des Hl. Jakobus d. Ä. nach Spanien

Einschiffung der Gebeine des Hl. Jakobus d. Ä. nach Spanien, by Master of the Rajhrad Altarpiece, unspecified, 1425
Einschiffung der Gebeine des Hl. Jakobus d. Ä. nach Spanien, by Master of the Rajhrad Altarpiece, unspecified, 1425

Einschiffung der Gebeine des Hl. Jakobus d. Ä. nach Spanien is an unspecified painting by the Northern Renaissance artist Master of the Rajhrad Altarpiece. It dates from 1425 and is held in the collection of the Kunsthistorisches Museum. Created in 1425, this panel portrays the arrival of Saint James the Great’s relics in Spain.

About this work

Overview

Created in 1425, this panel portrays the arrival of Saint James the Great’s relics in Spain. The composition centers on a vessel crowded with figures, among them a woman in a red gown and white veil addressing a group of men. Architectural elements and livestock appear in the distance, situating the scene within a bustling, semi‑urban landscape.

Subject & Meaning

The work visualizes the legendary translation of Saint James’s bones, a pivotal episode in medieval pilgrimage lore. By emphasizing the interaction between the female figure—likely a patron or saintly intercessor—and the male attendants, the painting underscores the communal reverence for relics and the sanctified journey that linked distant regions through shared devotion.

Technique & Style

Executed by the Master of the Rajhrad Altarpiece, the panel reflects early northern Renaissance tendencies, notably a vivid palette and careful attention to textile detail. The bright red dress and green robes contrast with the muted background, while the rendering of the veil and architectural forms demonstrates a developing interest in spatial depth and naturalistic representation.

History & Provenance

The Bohemian artist, active in Moravia before 1420, produced the piece for a religious context, likely a chapel or guild commission. It entered the Kunsthistorisches Museum’s collection in the 19th century, where it remains part of the museum’s medieval holdings, representing the cross‑regional exchange of devotional imagery.

Context

The painting belongs to a broader tradition of depicting relic translations, a theme popular in Central European art during the early 15th century. Its narrative aligns with the growing emphasis on pilgrimage routes such as the Camino de Santiago, reflecting both local devotional practices and the wider cultural network that linked Bohemia and Spain.

Artist & collection

Artist

Master of the Rajhrad Altarpiece

The Master of the Rajhrad Altarpiece (sometimes called the Master of Raigern) was a Bohemian painter active in the region around Olomouc and Brno before 1420.