Artwork

Kreuzigung Christi

Kreuzigung Christi, by Master of the Schotten Altarpiece, unspecified, 1475
Kreuzigung Christi, by Master of the Schotten Altarpiece, unspecified, 1475

Kreuzigung Christi is an unspecified painting by the Northern Renaissance artist Master of the Schotten Altarpiece. It dates from 1475 and is held in the collection of the Kunsthistorisches Museum.

About this work

Overview

Created in 1475, the *Kreuzigung Christi* portrays the crucifixion of Jesus. Executed by the anonymous Master of the Schotten Altarpiece, a German painter active in Vienna during the late medieval period, the work belongs to the Northern Renaissance and is part of the Kunsthistorisches Museum’s collection.

Subject & Meaning

The central figure is Christ nailed to a cross, his pallid flesh marked by vivid red wounds. Six surrounding figures—women and men—react with grief, pointing, weeping, or kneeling, embodying the biblical narrative of sorrow and devotion.

Technique & Style

The composition relies on clear, bold outlines and flat areas of colour rather than gradual shading. Bright reds, blue‑green garments and touches of gold create a striking visual contrast, while the figures’ calm expressions lend a restrained emotional tone.

Context

The painting reflects the devotional art of late 15th‑century Central Europe, where religious scenes were rendered with an emphasis on narrative clarity. Its stylistic traits align with the Northern Renaissance’s focus on detailed surface treatment and precise linear forms.

History & Provenance

Originally produced for a Viennese setting, the work eventually entered the holdings of the Kunsthistorisches Museum in Vienna, where it remains on display as part of the museum’s broader collection of Northern Renaissance paintings.

Artist & collection

Portrait of Master of the Schotten Altarpiece

Artist

Master of the Schotten Altarpiece

The Master of the Schotten Altarpiece (German: Meister des Wiener Schottenaltars) was a German painter, active in Vienna during the 14th and 15th centuries.