Artwork
Court Lady Pouring Wine (recto)

Court Lady Pouring Wine (recto) is an unspecified painting by the Mughal Painting artist Muhammad Rizavi Hindi. It dates from 1760 and is held in the collection of the Cleveland Museum of Art.
About this work
Overview
The painting portrays a courtly woman dressed in a gold‑trimmed robe as she tilts a duck‑shaped decanter, allowing ruby‑red wine to stream from the bird’s beak into a diminutive cup. The vessel is rendered with meticulous attention to its gilded grapevine ornamentation, emphasizing the liquid’s richness. The scene captures a moment of refined service within an aristocratic setting.
Subject & Meaning
The central figure embodies the elegance of courtly hospitality, while the duck‑head decanter alludes to ancient Persian ceremonial practices where avian vessels held wine or sacrificial blood. The accompanying verses on the reverse side celebrate the beloved’s beauty and yearning, linking the act of pouring wine to themes of desire and devotion.
Technique & Style
The artist employs fine brushwork to delineate the intricate grapevine motifs encircling the decanter, creating a sense of texture and depth. The use of rich, saturated reds for the wine contrasts with the luminous gold trim of the robe, while the delicate rendering of the duck’s head demonstrates a blend of realism and symbolic ornamentation typical of courtly miniature painting.
History & Provenance
The work originates from the Mughal artistic tradition, likely produced in the Lucknow region of India, where Persian influences persisted in courtly art. The verso features floral sprigs framing a central calligraphic composition, surrounded by smaller verses, indicating the piece may have functioned as a illustrated manuscript page rather than a standalone panel.
Context
Bird‑shaped wine vessels were inherited from ancient Persian rituals that involved blood offerings, later adapted for wine service in South Asian courts. The painting reflects this cultural transmission, integrating Persian symbolic objects within a Mughal visual language that prized courtly refinement and poetic expression.
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