Artwork

Storm in the forest of Fontainbleau

Storm in the forest of Fontainbleau, by Narcisse Virgilio Díaz, oil, 1871
Storm in the forest of Fontainbleau, by Narcisse Virgilio Díaz, oil, 1871

Storm in the forest of Fontainbleau is an oil painting by the Barbizon school artist Narcisse Virgilio Díaz. It dates from 1871 and is held in the collection of the Fitzwilliam Museum. Created in 1871, this oil on canvas portrays a tempestuous woodland in the Fontainebleau forest.

About this work

Overview

The composition centers on a dense stand of trees rendered as dark silhouettes against a brooding sky, conveying the immediacy of an approaching storm.

Created in 1871, this oil on canvas portrays a tempestuous woodland in the Fontainebleau forest. The composition centers on a dense stand of trees rendered as dark silhouettes against a brooding sky, conveying the immediacy of an approaching storm. The work is part of the collection of the Fitzwilliam Museum, where it remains on display as an example of late‑19th‑century French landscape painting.

Subject & Meaning

The scene captures a fleeting moment of atmospheric tension, emphasizing the raw power of nature over human presence. By focusing on the interplay of wind‑laden clouds and the stark outlines of trunks, the artist invites viewers to contemplate the transitory character of weather and the enduring solidity of the forest, suggesting a dialogue between change and permanence.

Technique & Style

The painter employs a restrained palette of browns, greens, and muted grays, allowing the dramatic contrast of light and shadow to dominate. Loose, expressive brushwork defines the foliage, while thick impasto in the clouded sky adds tactile depth. Chiaroscuro is used to model the trees, creating a sense of volume that enhances the painting’s overall dynamism.

History & Provenance

Narcisse Virgilio Díaz completed the work shortly after the Franco‑Prussian War, a period marked by renewed interest in the French countryside. The canvas entered the Fitzwilliam Museum’s holdings in the early 20th century through a private donation, where it has been catalogued as a representative piece of the Barbizon‑inspired school that influenced Díaz’s approach to landscape.

Artist & collection

This work is in the public domain (CC0). Image source: Fitzwilliam Museum open access. Spotted an error in this record? Tell us.