Artwork

Le centaure et le dragon

Le centaure et le dragon, by Odilon Redon, unspecified, 1888
Le centaure et le dragon, by Odilon Redon, unspecified, 1888

Le centaure et le dragon is an unspecified painting by Odilon Redon. It dates from 1888 and is held in the collection of the Kröller-Müller Museum.

About this work

Overview

Created circa 1888, *Le centaure et le dragon* is an oil painting by French Symbolist Odilon Redon. The work presents a fantastical encounter between a half‑human, half‑horse centaur and a serpentine dragon, rendered in the muted palette and atmospheric tone that characterize Redon’s late‑nineteenth‑century output.

Subject & Meaning

The composition draws on classical mythology, pairing the centaur—a symbol of the duality between intellect and animal instinct—with a dragon, often associated with chaos or the unconscious. By juxtaposing these figures, Redon evokes a dream‑like narrative that invites contemplation of inner conflict and the mysterious forces that shape the imagination.

Technique & Style

Redon employed bold, expressive brushwork and a limited chromatic range, favoring deep browns and shadowed tones that heighten the painting’s enigmatic mood. The handling of form is loose rather than precise, reflecting the Symbolist preference for suggestion over literal representation and allowing the scene to resonate more as a psychological tableau than a literal illustration.

History & Provenance

The painting emerged during Redon’s transition from his celebrated charcoal and lithographic “noirs” toward color. Although specific ownership records are sparse, the work belongs to the period when Redon’s reputation was bolstered by literary references, notably Joris‑Karl Huysmans’s novel *À rebours*, which brought wider attention to his visionary imagery.

Context

*Le centaure et le dragon* aligns with the broader Symbolist movement’s fascination with myth, the subconscious, and the evocation of mood over narrative clarity. In the late 1880s, French artists were increasingly exploring non‑realist subjects, and Redon’s painting exemplifies this shift by turning classical motifs into vehicles for personal, almost mystical, expression.

Artist & collection

Portrait of Odilon Redon

Artist

Odilon Redon

Born Bertrand-Jean Redon on 20 April 1840 in Bordeaux, the artist adopted the name Odilon from his mother, Marie-Odile.

This work is in the public domain (CC0). Image source: Kröller-Müller Museum open access. Spotted an error in this record? Tell us.