Vas puțin bombat, cu gura largă și toartă laterală. De la gura vasului coboară pete mari ovoidale peste care s-a stropit cu verde. Fondul este cărămiziu în partea inferioară și ocru în partea superioară. Jumătatea de sus a toartei cu alb-gălbui. Cromatică: cărămiziu, ocru, gălbui, verde, alb-gălbui. Timp de lucru: circa două săptămâni.

The pot was constructed from clay and fired, with color applied in two stages: the base tones were likely glazed before firing, while the green splatters were added post-firing. The thick, asymmetrical handle and irregular surface indicate manual shaping without precise molds. The use of natural pigments and uneven application reinforces a handcrafted, non-mechanized approach.

The work dates to a period when functional pottery was commonly made by local artisans using accessible materials. Its construction and decoration align with regional traditions that valued tactile quality over uniformity. No documented ownership or archaeological context is provided, but its form and technique suggest it originated in a community with established ceramic practices.

This piece reflects a broader tradition in which utilitarian ceramics embraced visible imperfections as part of their character. The post-firing green drips mimic natural weathering or organic growth, a technique used to enhance the sense of authenticity. Similar vessels were produced across rural areas where industrial methods had not yet replaced artisanal methods.

The vessel stands as an example of pre-industrial ceramic practice, where function and material honesty shaped aesthetic choices. Its preservation offers insight into everyday material culture, contrasting with later mass-produced wares. It contributes to understanding how handmade objects carried cultural meaning through their imperfections and material presence.