Who painted Portrait of Mr. R. de la Rochetaille at his Desk?

Portrait of Mr. R. de la Rochetaille at his Desk was painted by Pascal Dagnan-Bouveret in 1889.

Where can I see Portrait of Mr. R. de la Rochetaille at his Desk?

Portrait of Mr. R. de la Rochetaille at his Desk is held by Israel Museum.

What movement is Portrait of Mr. R. de la Rochetaille at his Desk?

Portrait of Mr. R. de la Rochetaille at his Desk is associated with Impressionism.

Artwork

Portrait of Mr. R. de la Rochetaille at his Desk

Pascal Dagnan-Bouveret , 1889

Portrait of Mr. R. de la Rochetaille at his Desk is an oil painting by the Impressionist artist Pascal Dagnan-Bouveret. It dates from 1889 and is held in the collection of the Israel Museum. Created in 1889, this oil painting by French naturalist Pascal Dagnan‑Bouveret portrays a gentleman seated at an elaborately carved desk.

About this work

Overview

Created in 1889, this oil painting by French naturalist Pascal Dagnan‑Bouveret portrays a gentleman seated at an elaborately carved desk. The composition centers on the sitter, whose attire of dark clothing, white shirt and pink pocket square is set against a deep red backdrop, emphasizing a mood of quiet concentration.

Subject & Meaning

The work presents Mr. R. de la Rochetaille engaged in a moment of study, surrounded by papers and books. His right hand rests on the documents while the left rests on his thigh, suggesting a pause in intellectual activity and inviting contemplation of his professional or scholarly pursuits.

Technique & Style

Executed in oil on canvas, the painting reflects Dagnan‑Bouveret’s naturalist approach within the broader Impressionist milieu. Careful modeling of flesh tones and precise rendering of the desk’s red‑and‑gold carving contrast with the looser handling of the background, creating a balance between realism and atmospheric effect.

History & Provenance

Since its completion, the portrait has entered the collection of the Israel Museum, where it remains on display. The museum’s acquisition places the work among other 19th‑century French paintings, offering insight into the artist’s portraiture during the late 1880s.