Who painted Henry IV and Maria de Medici?

Henry IV and Maria de Medici was painted by Simon van de Passe in 1621.

Where can I see Henry IV and Maria de Medici?

Henry IV and Maria de Medici is held by National Gallery of Art.

What movement is Henry IV and Maria de Medici?

Henry IV and Maria de Medici is associated with Renaissance.

Artwork

Henry IV and Maria de Medici

Simon van de Passe , 1621

Henry IV and Maria de Medici is an ink print by the Renaissance artist Simon van de Passe. It dates from 1621 and is held in the collection of the National Gallery of Art.

About this work

Overview

Simon van de Passe’s 1621 engraving presents a portrait of King Henry IV of France opposite his consort, Marie de’ Medici. Executed as a print derived from an earlier silver medal, the image captures the royal couple in a formal, yet intimate stance, their hands joined and gazes directed toward each other.

Subject & Meaning

The work identifies the two figures by the surrounding legend “HENRICVS IV ET MARIA MEDICIS,” confirming their historic status. Henry is shown crowned and robed, emphasizing his sovereign authority, while Marie’s turned profile and flowing hair convey a softer, feminine presence, suggesting the complementary roles of king and queen in early‑17th‑century France.

Technique & Style

Van de Passe translates the relief of a silver medal into a line engraving, employing fine cross‑hatching and delicate shading to suggest volume on a flat surface. The contrast of dark ink against white paper creates depth, while the precise incisions render the intricate details of crowns, robes, and the small object held by the queen.

History & Provenance

The print was produced shortly after the original medal’s circulation, a common practice for disseminating royal imagery beyond court circles. As a work by a member of the van de Passe family, noted for their portrait engravings, it likely entered collections of diplomatic gifts and private collectors interested in French royal portraiture.

Context

Created during the reign of Henry IV, the engraving reflects the monarch’s efforts to solidify his legitimacy after the Wars of Religion. Marie de’ Medici, of the influential Florentine Medici family, was a political ally; their joint depiction underscores the dynastic alliance that underpinned the early Bourbon monarchy.