Who painted Turkish sultans, sultanas and other historical figures?

Turkish sultans, sultanas and other historical figures was painted by Peter Aubry in 1650.

Where can I see Turkish sultans, sultanas and other historical figures?

Turkish sultans, sultanas and other historical figures is held by Victoria and Albert Museum.

What movement is Turkish sultans, sultanas and other historical figures?

Turkish sultans, sultanas and other historical figures is associated with Baroque.

Artwork

Turkish sultans, sultanas and other historical figures

Peter Aubry , 1650

Turkish sultans, sultanas and other historical figures is a print by the Baroque artist Peter Aubry. It dates from 1650 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

Created in 1650 by the engraver Peter Aubry, this print presents a portrait of Sultan Ibrahim surrounded by a procession of Turkish sultans, sultanas and assorted historical personages. Beneath the central image, each figure is identified by a lettered caption, providing a clear guide to the identities represented.

Subject & Meaning

The central figure, distinguished by a prominent mustache and an elaborate turban crowned with a feather and jewels, is depicted in regal attire—a dark high‑collared jacket and an ornate vest. The inclusion of a tumultuous battle scene behind him underscores the sultan’s martial authority and the broader narrative of Ottoman power.

Technique & Style

Aubry’s engraving demonstrates meticulous line work and a nuanced handling of light and shadow, achieving a chiaroscuro effect that gives the figures a three‑dimensional presence. The fine hatching and careful gradations reveal a high level of craftsmanship typical of mid‑seventeenth‑century European prints depicting Eastern subjects.

History & Provenance

The print originates from a period when European interest in Ottoman courtly imagery was at its peak, serving both as a documentary record and a curiosity for Western audiences. Though specific ownership details are scarce, the work is catalogued among Aubry’s known productions and has appeared in several collections of early modern prints.