Artwork

Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels

Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels, by Piero di Cosimo, oil, 1505
Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels, by Piero di Cosimo, oil, 1505

Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels is an oil painting by the Early Renaissance artist Piero di Cosimo. It dates from 1505 and is held in the collection of the Art Institute of Chicago.

About this work

Overview

Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels is a Renaissance oil painting on panel by Piero di Cosimo, characterized by its serene yet inventive depiction of a sacred scene.

Subject & Meaning

The painting portrays a peaceful encounter between the Virgin and Child, the young Saint John the Baptist offering plums to Jesus, and Saint Cecilia singing from a music book, accompanied by wingless angels. The composition conveys a sense of intimate devotion and harmony.

Technique & Style

Piero di Cosimo employed a distinctive technique, evident in the shadowed effects around the secondary figures, which were added over a pre-existing dark background, with thin paint layers allowing the underlying tone to show through, creating depth.

History & Provenance

While the exact date and original commission of the painting are not specified, it reflects Piero di Cosimo's reputation for reinterpreting traditional themes with unique imaginative elements, typical of his unorthodox approach in 15th-century Florence.

Context

This work sits within the broader context of Renaissance art's revival of religious themes, yet distinguishes itself through Piero di Cosimo's unconventional choices, such as wingless angels and the specific interaction between the figures.

Artist & collection

Portrait of Piero di Cosimo

Artist

Piero di Cosimo

Piero di Cosimo, also known as Piero di Lorenzo, was an Italian Renaissance painter, who continued to use an essentially Early Renaissance style into the 16th century.