Who painted The Death of the Blessed Buonagiunta Manetti?

The Death of the Blessed Buonagiunta Manetti was painted by Bernardino Poccetti in 1612.

Where can I see The Death of the Blessed Buonagiunta Manetti?

The Death of the Blessed Buonagiunta Manetti is held by National Gallery of Art.

What movement is The Death of the Blessed Buonagiunta Manetti?

The Death of the Blessed Buonagiunta Manetti is associated with Baroque.

Artwork

The Death of the Blessed Buonagiunta Manetti

Bernardino Poccetti , 1612

The Death of the Blessed Buonagiunta Manetti is a chalk drawing by the Baroque artist Bernardino Poccetti. It dates from 1612 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created circa 1612, this drawing by Italian artist Bernardino Poccetti records the moment of death of the Blessed Buonagiunta Manetti, a Franciscan tertiary. Executed on light brown laid paper, the work combines pen, brown ink, a brown wash, and black chalk, with a preparatory red‑chalk grid for transferring the composition.

Subject & Meaning

The composition centers on a lifeless figure on the ground, surrounded by a multitude of mourners—some kneeling, others standing, a few clutching candles or crosses. Above, ethereal angels observe the scene, underscoring the spiritual significance of the saint’s passing.

Technique & Style

Poccetti employs a rapid, sketch‑like line quality, layering cross‑hatching to model volume and create depth. The brown wash over black chalk adds tonal variation, while the red‑chalk squares indicate a careful transfer method. The crowded arrangement and dynamic gestures reflect his Mannerist sensibility.

History & Provenance

Bernardino Poccetti, also known as Barbatelli, was active during the late Renaissance, producing both paintings and prints. This drawing, a preparatory or devotional study, has remained associated with his oeuvre and is documented as part of collections that focus on early 17th‑century Italian drawing.

Context

Buonagiunta Manetti, venerated as a blessed figure within the Franciscan tradition, was celebrated for his piety. Depicting his death aligns with contemporary Counter‑Reformation interests in saintly exemplars, and the inclusion of angels reflects the period’s emphasis on divine intercession.