Artwork

S. Sterett

S. Sterett, by Charles Balthazar Julien Févret de Saint-Mémin, ink, 1804
S. Sterett, by Charles Balthazar Julien Févret de Saint-Mémin, ink, 1804

S. Sterett is an ink print by the Romanticist artist Charles Balthazar Julien Févret de Saint-Mémin. It dates from 1804 and is held in the collection of the National Gallery of Art. Created in 1804, this small square print measures just under six centimeters on each side.

About this work

Overview

Created in 1804, this small square print measures just under six centimeters on each side. Executed in black mezzotint and engraving on wove paper that has been mounted to a brown wove backing, the work presents a stark, monochrome portrait. It is held in the collection of the National Gallery of Art.

Subject & Meaning

The image depicts a solitary head, the sitter looking directly forward with a composed expression. The plain background isolates the figure, emphasizing the calm gaze and the subtle modeling of facial features achieved through the tonal range of mezzotint.

Technique & Style

Combining mezzotint—a process that allows for rich, velvety shadows—with fine engraved lines, the artist achieves a delicate balance of light and dark. The use of black ink on wove paper yields a smooth, even surface, while the mounting on brown paper provides structural support without altering the visual field.

Context

The print bears the name of Charles B. J. Févret de Saint‑Mémin, a French artist known for his portrait engravings in the early nineteenth century. His signature appears directly on the sheet, a common practice of the period to ensure clear attribution for works circulated as prints.

History & Provenance

Since its creation, the piece has remained within institutional collections, ultimately entering the holdings of the National Gallery of Art. Its documented presence in the museum’s catalogue confirms its authenticity and historical placement within early American print collections.

Artist & collection

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.