Artwork

Studies for "Two Classical Male Figures Jumping"

Studies for "Two Classical Male Figures Jumping", by John Singer Sargent, charcoal, 1920
Studies for "Two Classical Male Figures Jumping", by John Singer Sargent, charcoal, 1920

Studies for "Two Classical Male Figures Jumping" is a charcoal drawing by John Singer Sargent. It dates from 1920 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created between 1919 and 1920, this drawing by John Singer Sargent records preparatory work for a larger composition featuring two male figures in mid‑air. Executed in charcoal and graphite on laid paper, the study captures the fleeting tension of the bodies as they leap, offering a concise glimpse of the artist’s investigative approach to motion.

Subject & Meaning

The composition presents two classical‑styled men caught in the act of jumping, their limbs extended and torsos twisted to suggest propulsion. By isolating the gesture, Sargent emphasizes the kinetic energy of the human form, exploring how balance and weight shift are negotiated in a moment of suspended action.

Technique & Style

Sargent employs a loose, gestural line rendered in charcoal, reinforced by graphite shading to model volume. A faint grid underlies the drawing, guiding proportion and spatial relationships while allowing the figures to retain a sense of spontaneity. The combination of media highlights both structural precision and expressive immediacy.

History & Provenance

The study was produced during the final years of Sargent’s career, a period marked by intensified interest in anatomical research and dynamic composition. It remained in the artist’s personal archive before entering a public collection, where it serves as evidence of his methodical preparation for larger works.

Artist & collection

Portrait of John Singer Sargent

Artist

John Singer Sargent

John Singer Sargent (; January 12, 1856 – April 15, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Belle Époque and Edwardian-era luxury.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.