Who painted O Εσταυρωμένος Χριστός?

O Εσταυρωμένος Χριστός was painted by Spyros Papaloukas in 1934.

Where can I see O Εσταυρωμένος Χριστός?

O Εσταυρωμένος Χριστός is held by B&M Theocharakis Foundation for the Fine Arts and Music.

Artwork

O Εσταυρωμένος Χριστός

Spyros Papaloukas , 1934

O Εσταυρωμένος Χριστός is a drawing by Spyros Papaloukas. It dates from 1934 and is held in the collection of the B&M Theocharakis Foundation for the Fine Arts and Music.

About this work

Overview

The work titled O Εσταυρωμένος Χριστός depicts the crucifixion of Jesus Christ using a stark, linear drawing. Executed by Spyros Papaloukas, the image is catalogued as an “image” rather than a painted panel, emphasizing its graphic quality. It belongs to the V. & M. Theocharakis Foundation collection, which assembles a range of religious visual material.

Subject & Meaning

The composition centers on the figure of Christ on the cross, rendered with minimal detail to focus attention on the act of sacrifice. By stripping away ornamental elements, the drawing invites contemplation of the theological significance of the crucifixion, aligning with the devotional intent typical of Orthodox iconography.

Technique & Style

Papaloukas employs a restrained line work, using simple strokes to outline the body, the cross, and the surrounding space. This economy of form reflects a modernist sensibility while retaining the reverence of traditional ecclesiastical art. The absence of color and shading highlights the drawing’s graphic clarity.

History & Provenance

The piece is part of a broader assemblage of icons, church wall paintings, and preparatory sketches held by the V. & M. Theocharakis Foundation. The collection’s focus on religious imagery suggests the work was either created for liturgical purposes or as a study for larger ecclesiastical commissions by Papaloukas.

Context

Created within the mid‑20th‑century Greek art scene, the drawing reflects a period when artists like Papaloukas revisited Byzantine visual language through contemporary lenses. The work’s inclusion alongside murals and icons indicates an ongoing dialogue between historic sacred art and modern interpretation.