Who painted The Generosity of Empress Pulcheria?

The Generosity of Empress Pulcheria was painted by Johann Christoph Storer in 1644.

Where can I see The Generosity of Empress Pulcheria?

The Generosity of Empress Pulcheria is held by National Gallery of Art.

What movement is The Generosity of Empress Pulcheria?

The Generosity of Empress Pulcheria is associated with Baroque.

Artwork

The Generosity of Empress Pulcheria

Johann Christoph Storer , 1644

The Generosity of Empress Pulcheria is a chalk drawing by the Baroque artist Johann Christoph Storer. It dates from 1644 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created in 1644 by the German Baroque artist Johann Christoph Storer, this drawing portrays the 5th‑century Byzantine empress Pulcheria. Executed with pen, gray‑brown ink and a gray wash applied over black chalk on laid paper, the work measures a modest size typical of Storer’s preparatory studies. It exemplifies his interest in narrative scenes drawn from historical and religious tradition.

Subject & Meaning

The composition centers on a regal woman in a flowing gown, crowned and holding a bag that suggests the distribution of alms. Surrounding figures in period attire turn toward her, emphasizing her role as a benefactor. The image reflects Pulcheria’s historical reputation for piety and charitable deeds, presenting her as a moral exemplar within the Byzantine imperial context.

Technique & Style

Storer combines precise pen work with tonal gray‑brown ink, while a subtle gray wash adds depth to the chiaroscuro modeling. The underlying black chalk provides a structural sketch that remains visible, lending the drawing a layered quality. The handling of line and wash aligns with Baroque sensibilities, balancing dramatic gesture with careful draftsmanship.

History & Provenance

The drawing was produced during Storer’s mature period, when he frequently explored historical narratives for both paintings and prints. Though its early ownership record is sparse, the piece entered a European private collection in the 18th century before being acquired by its present institution in the early 20th century, where it has been catalogued as part of the artist’s graphic oeuvre.