Who painted Salmacis and Hermaphroditus?

Salmacis and Hermaphroditus was painted by Herman van Swanevelt in 1628.

Where can I see Salmacis and Hermaphroditus?

Salmacis and Hermaphroditus is held by National Gallery of Art.

What movement is Salmacis and Hermaphroditus?

Salmacis and Hermaphroditus is associated with Baroque.

Can I buy a print of Salmacis and Hermaphroditus?

Museum-quality prints of Salmacis and Hermaphroditus are available made-to-order from Artifact World Gallery.

Artwork

Salmacis and Hermaphroditus

Herman van Swanevelt , 1628

Salmacis and Hermaphroditus is an ink print by the Baroque artist Herman van Swanevelt. It dates from 1628 and is held in the collection of the National Gallery of Art.

About this work

Overview

Herman van Swanevelt’s 1628 etching titled Salmacis and Hermaphroditus presents a wooded landscape split by a watercourse. A towering tree dominates the left side, while the right side opens onto a reflective pool. A crouching figure hides behind the trunk, and another figure emerges from the water, suggesting a narrative moment within a densely foliaged setting.

Subject & Meaning

The composition alludes to the classical myth of Salmacis and Hermaphroditus, in which the nymph Salmacis embraces the youth Hermaphroditus, leading to their union. The juxtaposition of the concealed figure and the one in the water evokes the encounter and the ensuing transformation, inviting contemplation of identity and duality.

Technique & Style

Executed in etching, the work relies on incised lines to render both the intricate bark of the trees and the gentle ripples of the water. Van Swanevelt manipulates tonal contrast, allowing the dark silhouettes of the forest to recede against the lighter, more luminous surface of the pool, thereby creating atmospheric depth.

History & Provenance

Created in 1628, the print reflects van Swanevelt’s early engagement with mythological subjects. While specific ownership records are scarce, the etching has been documented in several European print collections, indicating its circulation among connoisseurs of the Dutch Golden Age.