A scroll-painting

The painting employs a distinctive, bold color layering technique, akin to collage, creating a visually striking effect. The use of tiger stripes on the elephant's howdah and headdress nods to the legacy of Tipu Sultan, incorporating a symbol of Mysore's past into the contemporary scene.

Originally misattributed to Raja Sarabhoji of Tanjore, the scroll is now correctly associated with Krishnaraja Wadiyar's reign. The artwork's history intersects with the aftermath of the Siege of Seringapatam (1799), following which the British influenced Mysore's governance, with Krishnaraja Wodeyar III installed as a minor.

The procession scene reflects the religious and cultural practices of Mysore during the 19th century, with elements like dancing girls, musicians, and temple cars bearing deities (Durga, Shiva in various forms). The British presence underscores the era's colonial context.

Now housed at the Victoria and Albert Museum, this scroll offers a unique glimpse into the intersection of religious, cultural, and colonial dynamics in 19th-century Mysore, making it a significant artifact for understanding the region's history and artistic traditions.