Farfurie de formă tronconică ce prezintă două registre ornamentale, unul plasat de jur împrejurul buzei cu motive florale. Al doilea registru plasat în centru cu motive deasemenea florale. La posterior, baza inelară perforată pentru atârnare. Cromatică: fond: crem; motive: verde; albastru.

The dish is executed in a low‑relief painting technique, with pigments applied thinly over a light‑toned ceramic slip. The colour palette is restrained, relying on softened earth tones and pastel greens and blues that have faded with age. The overall form and decorative scheme align with traditional Romanian folk pottery, characterised by modest, repetitive patterns.

The presence of a hanging hole indicates the piece was likely used as a wall‑mounted plate for offerings or decorative display in a domestic setting. Its worn rim and patina suggest prolonged use, typical of utilitarian objects in rural households. No specific maker’s mark is evident, placing it within an anonymous folk production context.

Conical, shallow dishes of this type were common in the Balkans during the 19th and early 20th centuries, serving both practical and ceremonial purposes. The dual ornamental registers reflect a visual hierarchy often employed in regional ceramic workshops, where the outer band frames the central motif.

While modest in scale, such pieces illustrate the continuity of vernacular ceramic traditions and their role in everyday visual culture. They provide insight into regional aesthetic preferences and the transmission of decorative motifs across generations.