Ganesh was painted by Unknown in 1850.

Where can I see Ganesh?

Ganesh is held by Victoria and Albert Museum.

Artwork

Ganesh

Ganesh is a paint painting by Unknown. It dates from 1850 and is held in the collection of the Victoria and Albert Museum. Created in 1850, this paper painting combines opaque watercolour with gold leaf.

About this work

Overview

Created in 1850, this paper painting combines opaque watercolour with gold leaf. It portrays the Hindu god Ganesh, recognizable by his elephant head, seated on a yellow platform. Flanking the deity are two female figures, one holding a child, while a small dog rests at their feet. The composition is set against a vivid green backdrop featuring a fence and a lamp post.

Subject & Meaning

The surrounding women, dressed in bright yellow, may symbolize nurturing aspects, reinforcing the protective and benevolent qualities attributed to the god.

The central figure represents Ganesh, a deity associated with beginnings and the removal of obstacles in Hindu tradition. His accompanying rat, traditionally his vehicle, is implied by the presence of the small dog, suggesting themes of loyalty and domesticity. The surrounding women, dressed in bright yellow, may symbolize nurturing aspects, reinforcing the protective and benevolent qualities attributed to the god.

Technique & Style

The work employs opaque watercolour applied in flat, saturated tones, outlined with crisp lines that emphasize shape over depth. Gold accents highlight specific details, adding a decorative quality. The contrast between the richly patterned garments and the simplified form of the dog demonstrates a deliberate balance between ornamental detail and graphic simplification, characteristic of mid‑nineteenth‑century illustrative painting.

History & Provenance

Originally catalogued under reference RP 51/2237, the painting was transferred from the Department of Engraving, Illustration & Design to its current collection. Its documentation traces back to the mid‑19th century, providing evidence of its acquisition and subsequent curatorial reclassification within the museum’s holdings.