Icoana reprezintă un sfânt mucenic cu atribute de sfânt militar. Sfântul este redat în picioare, cu capul ușor din semiprofil, într-o atitudine de mișcare. Părul și barba scurtă castanii, ochii căprui, gura roșie. Poartă o tunică lungă, verde, pe umeri având prinsă o mantie roșie. În mâna stângă ține o sabie lungă, sprijinită în pământ, în dreapta o cruce dreaptă și o ramură verde. Aureola gălbuie.Fond albastru verzui, cu urme ale prelucrării lemnului. Proporțiile sunt în general respectate, se bservă influențe ale picturii neoacademice. Posibil să fie sfântul Ioan cel nou de la Suceava

The painting employs a restrained palette of green, red, and gold, with naturalistic modeling of the face and hands. Proportions follow classical ideals, indicating exposure to 19th-century academic training. The brushwork is precise, particularly in the rendering of fabric folds and facial features, while the blue-green background remains flat, preserving the icon’s spiritual focus over spatial illusion.

The work likely originated in the late 19th or early 20th century in a region where ecclesiastical art absorbed academic trends. Its wooden support and stylistic hybridity suggest it was produced for local veneration rather than institutional use. Traces of wood grain visible beneath the paint indicate minimal overpainting, preserving its original surface integrity.

During this period, Romanian religious art increasingly incorporated Western academic techniques while retaining Byzantine icon conventions. This piece reflects a transitional phase in ecclesiastical imagery, where traditional symbolism met new modes of representation. Such works were often commissioned by local parishes seeking to modernize devotional visuals without abandoning sacred content.

The painting stands as an example of how regional iconography evolved under external artistic influences. It preserves the liturgical function of icons while demonstrating the permeation of academic naturalism into sacred art. Its survival offers insight into the continuity of devotional practices amid broader cultural shifts in Eastern European religious communities.