Artwork

Ioan Botezătorul cu mielul și Iisus; Îngroparea lui Iisus

Ioan Botezătorul cu mielul și Iisus; Îngroparea lui Iisus, by Unknown, 1850
Ioan Botezătorul cu mielul și Iisus; Îngroparea lui Iisus, by Unknown, 1850

Ioan Botezătorul cu mielul și Iisus; Îngroparea lui Iisus is a drawing by Unknown. It dates from 1850 and is held in the collection of the Maramureș Village Museum. The work consists of three distinct panels arranged in a vertical triptych.

About this work

Overview

The work consists of three distinct panels arranged in a vertical triptych. Two circular images occupy the upper register, each framed by decorative foliage, while a rectangular lower scene depicts a burial tableau. Bright, flat colors and simplified forms give the composition a stylized, hand‑drawn appearance.

Subject & Meaning

The right circle features a haloed male holding a cloth, framed by vines and grapes, evoking a saintly or liturgical presence.

The left upper circle presents a female figure clutching a small vessel, surrounded by motifs of flowers and fruit, suggesting abundance or sacramental offering. The right circle features a haloed male holding a cloth, framed by vines and grapes, evoking a saintly or liturgical presence. The lower panel shows two winged beings beside a bed where a man lies swaddled, accompanied by a ladder and a cross, all elements traditionally associated with the burial of Christ.

Technique & Style

The artist employs a clear, linear approach, using cross‑hatching to model forms and create tonal variation. The palette relies on vivid, unmodulated hues, while the composition favors geometric outlines over naturalistic detail, reflecting a medieval or early Renaissance visual language.

History & Provenance

The piece is catalogued under the title "Ioan Botezătorul cu mielul și Iisus; Îngroparea lui Iisus" and is recorded as an image file rather than a physical object, indicating it may be a digitized representation of an older manuscript illumination or panel painting. No further ownership or dating information is provided.

Context

The iconography aligns with Eastern Orthodox traditions that combine the baptism of John the Baptist, the Lamb of God, and the entombment of Jesus within a single visual program. The inclusion of winged figures and symbolic implements such as the ladder and cross situates the work within liturgical narratives of Christ's Passion.

Artist & collection

Artist

Unknown

entity whose identity is not known