Piesă din faianță, cu aspect piriform, cu buza ușor evazată spre exterior, prevăzută cu toartă laterală semiovală. Decorul este reliefat și constă în motive florale (macul în diverse faze de dezvoltare: boboc, mac înflorit, capsule). Gâtul piesei este evidențiat printr-un brâu format din caneluri verticale. Cromatică: alb, bleu.

The decoration is executed in low relief, carved into the clay before glazing, then painted with cobalt oxide under a transparent white slip. The contrast between the pale ground and the deep blue motifs enhances the three-dimensionality of the floral forms. Vertical grooves along the neck serve both as a structural accent and a visual counterpoint to the organic curves of the body.

This piece belongs to a group of ceramic objects produced in the 17th or 18th century in regions influenced by Ottoman and Central European ceramic traditions. Similar vessels have been found in domestic and ecclesiastical contexts, often used for storage or display. Wear along the rim indicates prolonged use, suggesting it was part of everyday material culture rather than ceremonial display.

The blue-and-white aesthetic aligns with broader Eurasian ceramic trends, yet the specific floral repertoire and relief technique reflect localized craftsmanship. Comparable designs appear on tiles and utilitarian ware, indicating that this vase was part of a shared visual language in household objects. Its form and decoration bridge functional utility and decorative intention.

This vessel exemplifies a regional ceramic idiom that persisted through centuries, adapting imported techniques to indigenous motifs. Its survival offers insight into the continuity of artisanal practices in rural or provincial workshops. Though not widely documented, such pieces contribute to understanding the diversity of ceramic production beyond major urban centers.