Who painted Ramakali Ragini?

Ramakali Ragini was painted by Unknown in 1850.

Where can I see Ramakali Ragini?

Ramakali Ragini is held by Victoria and Albert Museum.

What movement is Ramakali Ragini?

Ramakali Ragini is associated with Mughal Painting.

Artwork

Ramakali Ragini

Unknown , 1850

Ramakali Ragini is a paint painting by the Mughal Painting artist Unknown. It dates from 1850 and is held in the collection of the Victoria and Albert Museum. Created around 1850, this work combines opaque watercolour with gold leaf on paper.

About this work

Overview

Created around 1850, this work combines opaque watercolour with gold leaf on paper.

Created around 1850, this work combines opaque watercolour with gold leaf on paper. It presents a domestic interior scene within a pavilion characterized by green pillars and a red‑tiled roof, rendered in vivid, flat tones without gradated shading. The composition includes a seated woman in blue, two standing women in orange and purple, and a kneeling man in a red turban, all surrounded by modest objects such as bowls and a fan.

Subject & Meaning

The central figure is a lady attended by a maid, while a servant holds a peacock‑feather fan, suggesting a ceremonial or musical context. The title references the Ramakali Ragini, a specific mode in Indian classical music, indicating that the scene may depict a performance or a moment associated with that melodic form.

Technique & Style

The artist employed opaque watercolour, allowing for saturated, uniform colour fields, and applied gold leaf to accentuate details. The palette is bold, with distinct blocks of orange, purple, blue and red, and the lack of chiaroscuro gives the picture a decorative, two‑dimensional quality typical of mid‑nineteenth‑century Indian courtly painting.

History & Provenance

The painting originates from the mid‑19th century Indian tradition and is now part of the Victoria and Albert Museum’s collection. Its provenance traces back to the period when such works were produced for elite patrons, reflecting both artistic practice and cultural interests in music and domestic elegance of the time.