Who painted Turkish sultans, sultanas and other historical figures?

Turkish sultans, sultanas and other historical figures was painted by Unknown in 1641.

Where can I see Turkish sultans, sultanas and other historical figures?

Turkish sultans, sultanas and other historical figures is held by Victoria and Albert Museum.

What movement is Turkish sultans, sultanas and other historical figures?

Turkish sultans, sultanas and other historical figures is associated with Baroque.

Artwork

Turkish sultans, sultanas and other historical figures

Unknown , 1641

Turkish sultans, sultanas and other historical figures is a print by the Baroque artist Unknown. It dates from 1641 and is held in the collection of the Victoria and Albert Museum. The 1641 print presents a portrait of Ottoman Sultan Ibrahim, surrounded by sultanas and additional historical personages.

About this work

Overview

The 1641 print presents a portrait of Ottoman Sultan Ibrahim, surrounded by sultanas and additional historical personages. The composition is framed within a circular vignette, bordered by ornamental motifs, and bears an inscribed title identifying the subject.

Subject & Meaning

Central to the image is Sultan Ibrahim, rendered with a solemn expression, emphasizing his authority. The inclusion of sultanas and other figures suggests a courtly setting, highlighting the dynastic and political significance of the Ottoman ruler during the mid‑seventeenth century.

Technique & Style

Executed in fine black‑and‑white line work, the print demonstrates the detailed engraving typical of the Baroque period, with intricate textures on the feathered hat, fur‑trimmed coat, and decorative border. The careful hatching creates a realistic sense of volume and material richness.

History & Provenance

Created in 1641, the print reflects contemporary European interest in Ottoman leadership. While the original publisher is not recorded, such works were commonly circulated in European courts and collections as visual records of foreign sovereigns.

Context

The portrait aligns with Baroque artistic tendencies toward dramatic presentation and elaborate ornamentation, mirroring the period’s fascination with exotic rulers and the political intrigue surrounding the Ottoman Empire in the 1600s.