Vas de lut de mici dimensiuni de formă bitronconică și cu cioc de scurgere a apei la partea superioară cu gât scurt și buza evazată. Prevăzută cu o toartă care pornește de pe umărul vasului și se unește cu corpul sub diametrul maxim. Smălțuită în interior și exterior. În jumătatea superioară este decorată de o parte și de alta a torții cu motive florale: flori cu patru respectiv cinci petale. Toarta este decorată cu o linie albă. Cromatică: interior: alb; exterior: maro; motive: alb; verde.

The vessel is hand-formed and glazed, with paint applied in flat, unshaded strokes that avoid modeling or depth. The floral designs are executed with restrained precision, using limited pigments: white, green, and black on a maroon ground. The handle is integrated structurally and decoratively, marked by a single white line running its length. The overall aesthetic prioritizes utility over ornamentation, characteristic of utilitarian pottery from a pre-industrial tradition.

Though exact origin and date are unspecified, the form, glazing, and decoration align with regional ceramic practices in Southeastern Europe, likely dating to the late medieval or early modern period. The wear patterns and material degradation suggest domestic use over an extended period. No documented collection history exists, but similar vessels are found in archaeological contexts associated with rural households.

This pitcher belongs to a broader category of small, functional ceramics used for storing or pouring liquids in pre-industrial communities. Its compact size and spout design indicate use in domestic or agricultural settings, possibly for water, wine, or oil. The floral decoration, while minimal, reflects a cultural preference for natural motifs, common in folk pottery where ornamentation was both decorative and spiritually or symbolically resonant.

The vessel exemplifies a tradition of handmade ceramics that valued functionality and local materials over mass production. Its simple floral patterns and restrained palette persist in regional folk art, influencing later revivals of traditional pottery techniques. Though not widely documented, such objects remain important artifacts in understanding everyday material culture and artisanal practices in rural European communities.