Artwork
「名所江戸百景 よし原 日本堤」|“Nihon Embankment at Yoshiwara,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Yoshiwara, Nihonzutsumi)

「名所江戸百景 よし原 日本堤」|“Nihon Embankment at Yoshiwara,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Yoshiwara, Nihonzutsumi) is an ink print by the Impressionist artist Utagawa Hiroshige. It dates from 1857 and is held in the collection of the Metropolitan Museum of Art.
About this work
Overview
Utagawa Hiroshige’s woodblock print “Nihon Embankment at Yoshiwara” belongs to his 1857 series One Hundred Famous Views of Edo. Executed in ink and color on paper, the image captures a nocturnal riverside along the Sumida, near the historic Yoshiwara district, and is now part of the Metropolitan Museum of Art’s collection.
Subject & Meaning
The scene presents a gently curving bridge spanning the river, pedestrians strolling and a few carrying loads, and a modest hut set against the bank. Above, a luminous moon illuminates a line of birds in flight, while distant hills and dark trees frame the tranquil night atmosphere.
Technique & Style
Hiroshige employs simplified forms and bold color fields to convey calm, using flat planes of blue‑tinged sky and water. Linear cross‑hatching adds subtle depth to the foliage and distant landscape, while the orderly flight of birds introduces a quiet sense of motion within the still composition.
History & Provenance
Created during the late Edo period, the print reflects Hiroshige’s shift from densely populated urban genre scenes to broader cityscape and natural vistas. It was produced as part of the Meisho Edo hyakkei series, a popular set of views intended for a growing market of travel‑interested consumers, and later entered the Metropolitan Museum of Art’s holdings.
Artist & collection
Artist
Utagawa Hiroshige (歌川 広重) or Andō Hiroshige (安藤 広重), born Andō Tokutarō (安藤 徳太郎; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.














