Artwork

近江八景之内 石山秋月|The Autumn Moon at Ishiyama on Lake Biwa

近江八景之内  石山秋月|The Autumn Moon at Ishiyama on Lake Biwa, by Utagawa Hiroshige, ink, 1835
近江八景之内  石山秋月|The Autumn Moon at Ishiyama on Lake Biwa, by Utagawa Hiroshige, ink, 1835

近江八景之内 石山秋月|The Autumn Moon at Ishiyama on Lake Biwa is an ink print by the Romanticist artist Utagawa Hiroshige. It dates from 1835 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

The Autumn Moon at Ishiyama on Lake Biwa is a woodblock print from Utagawa Hiroshige's *Eight Views of Ōmi* series, created circa 1835. Executed in ink and color on paper, it exemplifies Hiroshige's departure from urban ukiyo-e themes, instead emphasizing serene natural landscapes.

Subject & Meaning

Depicting a moonlit night at Ishiyama, a site revered in classical Japanese literature and art, the print conveys a sense of tranquility. The composition invites contemplation, reflecting Hiroshige's ability to evoke emotional depth through atmospheric scenes.

Technique & Style

Hiroshige employs a gradient blue sky, a boldly shining full moon, and reflective water to create depth. The juxtaposition of a mountain, bridge, and trees, set against the sky's hues, showcases his mastery of color and composition in capturing serenity.

History & Provenance

Created around 1835 for the *Eight Views of Ōmi* series, specific provenance details for this print are not provided in the available information.

Context

Part of the broader ukiyo-e movement, this work stands out for its rural, seasonal focus, aligning with Hiroshige's innovative approach to landscape art in Edo period Japan.

Legacy

While direct influences on Western movements like Romanticism are not explicitly documented, the print's emphasis on emotional, natural beauty might resonate with themes found in Romanticist art, encouraging cross-cultural art historical comparisons.

Artist & collection

Portrait of Utagawa Hiroshige

Artist

Utagawa Hiroshige

Utagawa Hiroshige (歌川 広重) or Andō Hiroshige (安藤 広重), born Andō Tokutarō (安藤 徳太郎; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.