Artwork

Untitled

Untitled, by John Vardy, 1753
Untitled, by John Vardy, 1753

Untitled is a drawing by the Romanticist artist John Vardy. It dates from 1753 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

The drawing presents both an elevation and a floor plan of the gateway leading into the Great Court of the Horse Guards complex, situated adjacent to Whitehall. Executed collaboratively by architect William Kent and draughtsman John Vardy, the work records the architectural details of this early 18th‑century entrance.

Subject & Meaning

The composition illustrates the formal entrance that frames the ceremonial space of the Horse Guards, emphasizing the symmetry and order typical of classical design. By combining a vertical elevation with a horizontal plan, the drawing conveys both the façade’s aesthetic intent and its functional relationship to the surrounding courtyard.

Technique & Style

Rendered in precise line work, the drawing employs the conventions of architectural drafting of the period, with measured proportions and annotated dimensions. The style reflects the Palladian influence that Kent absorbed during his Grand Tour, favoring clear geometry and restrained ornamentation.

History & Provenance
Upon returning to England, Kent secured commissions for both buildings and furniture, integrating the Roman classical vocabulary into his designs.

William Kent (1685–1748) traveled to Rome in 1715, where he formed a lasting patronage with the 3rd Earl of Burlington, a leading advocate of classical architecture. Upon returning to England, Kent secured commissions for both buildings and furniture, integrating the Roman classical vocabulary into his designs. John Vardy (1718–1765) later assisted Kent, contributing his draughtsmanship to projects such as this gateway.

Context

The gateway forms part of the larger Horse Guards complex, a key governmental and military site in Whitehall. Its design aligns with Kent’s broader body of work, which includes the grand country house Holkham Hall in Norfolk, exemplifying the same classical principles applied to both civic and domestic architecture.

Artist & collection

Artist

John Vardy

John Vardy spent his life drawing buildings instead of painting them. The guy carried a little sketchbook everywhere—doors, windows, the way sunlight hit brick—until his drawings looked like blueprints people actually…