Saint George and the Dragon

Vorsterman employed the fine line work characteristic of early‑17th‑century engraving, using sharp incisions to render the armor’s texture, the horse’s tack, and the dragon’s scales. Contrasting dark shadows against lighter areas create a sense of volume and movement, while the laid‑paper surface adds a subtle grain that enhances the overall atmospheric tension of the scene.

The print was produced in 1627 and is now part of the collection of the National Gallery of Art in Washington, D.C. Its inclusion in this public institution reflects the work’s relevance as an example of Dutch engraving and its role in disseminating religious iconography across Europe during the early modern era.